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UPDATE: Firmware Ver. 2. 00 now allows settings to be changed while the camera is connected via USB, among many other excellent upgrades. Please make sure to download and install the new firmware the get the most out of your fp! 45mm F2. 8 DG DN Contemporary mounted on the SIGMA fpThe advantage of using a cinema lens with a manually selectable aperture is that the camera can be adjusted even if the internal settings are locked.
Several of the newer still photography lenses from Sigma, such as the 45mm F2. 8 (pictured above) and the 35mm F1. 2 L-mount lenses offer manual aperture rings as well. AudioThe SIGMA fp does have an onboard microphone, but you’ll achieve much better audio by adding an external video mic, such as a Rode video mic, mounted on a camera cage or using the included hot shoe accessory. The mic should be close enough to your mouth to get a clean signal, while not being too close to pick up the sound of your breathing and aspirated vowel sounds. If you’re in a noisy environment and need to get the mic closer to your mouth to drown out ambient sound, you may need a longer mic stand than the camera’s hot shoe allows. These accessories are known as suspension boom stands and are frequently used by podcasters.
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You can buy them for around $20 and they anchor directly to your desk. You may also need a mic extension cable. Make sure that the microphone is powered “on” and plugged into the fp’s mic port. Go into the fp’s “audio record” settings and click right on the selection dial to see further options. You’ll need to set gain adjustment to “Manual”, then push right again to get to the gain adjustment menu. Set the left and right channels to synch with the first menu, then scroll down to the second menu, “adjustment amount”. The level meters should not show any input when you’re not talking and peak at around -6 on your loudest sound. By clicking up and down on the Adjustment amount you can make sure your audio is coming in at the right level.
In-Camera GradingThe SIGMA fp allows you to do some pretty specialized grading in the camera itself, but you’ll get the best results if the white balance is set up in the right way to begin. Hit the “Quick Select” button on the back of the camera and choose the white balance that best fits your key light source, either daylight or tungsten. Then select the “color” button on the back of the camera to choose the look that suits your aesthetic. I’ve found “Portrait” to be the most visually pleasing, but “Teal&Orange” is a great high-concept option as well. You can increase and decrease the intensity of each look by pushing up on the selector wheel, from -5 all the way to +5. Compression and bandwidth issues can soften and desaturate your video stream, so I’ve found it’s helpful to increase settings inside each look. You can do this by pushing the “AEL” key once a look is selected.
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